Wednesday, 31 January 2007
The Wooden O
Patriotism is the last refuge of the scoundrel
We found the alleyway fairly easily, and ducked into a courtyard. It was quite obvious which was his place, four (or was it five) storeys worth of apartment (which, incidentally, he left to his black servant, Frank). So this was where much of the first English dictionary was written. It was here too that I was reminded (given the recent furor over the Aussie flag at the Sydney BDO, which was just as I was leaving Aus) of one of his many great pithy maxims - which I've used for the title of this post.
(below: Dr. Johnson's stairwell)
(Liam outside Dickens' former house)
We were going to have a beer back home, but I convinced Liam to have one at a pub in the West End called The Fitzroy, which I'd recently read in the Time Out guide to West End pubs was, yes, you guessed it, once a writers' haunt. A red bus later and we were there, ordering a pint with the ghosts of Georgey Orwell, Dylan Thommo, Bernie Shaw & Ginnie Wolf.
(Pint at The Fitzroy.)
Covent Garden: Lamb & Flag
(at the Lamb & Flag)
Now it might seem that these 'literary' pubs are everywhere, but they're not. It takes a bit of energy find these places, and I know I'm starting to wear Liam out - which is exactly what I expect him to do to me when he gets to Rome!
5 Observations from the National Portraiture Gallery
Tuesday, 30 January 2007
Canterbury, NZ
Flogged in Notting Hill
After the first couple of pints Liam decided to show me a few of the different beers: we started with a Fruli, a strawberry Belgian beer, which was very drinkable, and though it seemed a bit girlie, there seemed to be no shame in a bloke drinking it. Then we had some banana, vanilla and something-else, which they had on tap, another belgian - more straightforward but with a hint of the other flavours. Fanfuckintastic.
When midnight came around, Rod suggested we go to a nearby club. Again, can't remember the name, but it was (I found out later) pretty much the true West London experience, a funky, fairly small basement beneath a cocktail lounge, filled with heaps of happening mofos, nymerous 'trustafarians' (apparently the term for rastafarians with a trust fund) and other types who could probably afford it more than me, but who also had more street cred than me. The place was R&B/Hip-Hop with a dash of Old-skool for good measure, and it pretty much went off. Liam and I both agreed it was better not to have had a quiet one after all.
(I might add that on this, my second night in London, I also had my first, real 'it's a small world' moment... not jawdropping, but authentic nevertheless. So, was chatting with an expat named Davey and he asked if I liked cricket; I mentioned I played in a comp back at home, and when he found out it was the Brisbane Bands Comp (hey all you Apes) - well, there were celebrations all round. It turns out he played in the same comp about 7 years ago, and is the brother of a guy named Liam, one of the absolute guns of the comp (I know him more by reputation). So there you go.)
Sometimes a cigar is just a cigar...
In this case though, the cigar wasn't just a cigar... but neither was it a phallus! It was, in fact, an homage to the much maligned old doc who made it possible for us all to talk about the 'unconscious' mind, and the significance of our dreams, and not be laughed at. (Detractors tend to forget this part, and focus on his shortcomings - though nobody, it seems, harps nearly as much on the fact that Hemmingway was a thug, or that Shakespeare left his wife and young children to join the Queen's Men.)
John Keats' House
Saturday, 27 January 2007
RIP Karl Marx
Australia Day 2007
Int. Heathrow 6: 30 am. Didn't sleep much on the flight from Changi, so when I stepped out into the 1 degree C air in London, I almost didn't feel it - until I did. Brrrr. Didn't sleep at Liam's due to sheer excitement, so had a shower and headed straight for the famous British Museum...
The very first thing I bumped into was the Rosetta Stone - you know, that chunk of rock with two Egyptian and one Greek script that provided the key to translating Egyptian texts, and which has become a symbol of the importance of translation between languages. Interestingly, it was moved from the museum from 1917-19 to protect it from possible bombing raids during WWI. How times have changed (considering the countless US tanks rolling over pristine archeological sites in once-ancient Babylon).